Showing posts with label Black Rose Writing. Show all posts
Showing posts with label Black Rose Writing. Show all posts

Saturday, 13 October 2018

Ghosts and Ghoulies and Trunks, Oh My!

Hey.

Gonna wheel out an old classic blog for one more Halloween haunt.


I wrote this horror book a couple of years before A Graveyard Visible, see. It's called Macadamian Pliers. Haunted house, a man of strange angles, trouble in a new town.  It's got everything you need for Halloween. (Hint, hint. So does 'A Graveyard Visible'. Graveyards, revenants, abandoned mansions, what more do you want?) And one of the kids in it, Jack, he's crazy-mad about ghosts and ghoulies and stuff. He's got a mondo-huge collection of mad spooky stories, new stuff and his own takes on the classics, and he sticks them all up on this website he shares with Cherry and Frank Raine - ihatemacadamianpliers.weebly.com So, to get into the mood for that most creepy time of the year, I'm going to let him take over my blog.

Okay, I'm handing over to Jack now. The kid tells a mean story. Strap in, and good luck.

The Trunk


I'll start with this bad ass story that messed my skull up for days. I got a trunk full of comics and couldn't go near them, which was a real pain.

'There was this old house that was abandoned and up for sale and these college kids were always messing around in there, having parties and stuff. There was usually about seven or eight of them, and they decided to play hide and seek. The game went on for a total age, and the college kids got bored before they finished they game, and did off. It wasn't until the next day that they realised one of them, a girl, was missing. They phoned her and called round her house and she never turned up. She was totally gone.
So it's five months after all this happened, and this family bought the house and moved in. They had a ton of stuff so it took an age, and there was a bunch of old furniture and stuff there already, but the mom wanted to keep it because she thought it was cool, the weird way oldies do. In the kid's bedroom was this properly old trunk, and that was where he wanted to stick his toys, but the lock on it was stuck. The dad sorted that out with a hammer, and they opened the trunk, and in there was the rotted body of the missing girl, all stinking and putrid, and her mouth was open in a big wide O, and her nails were all broken where she'd tried to get out.
Sick!
That ain't all of it.
The police took the body, and the family threw the trunk out. The kid was a total sycolo.. psykol... mental mess, but eventually he had to sleep in his room on his own. He was there in the dark, on his own, and BOOM! There was a loud thud, like something real heavy landing on the floor. He was so scared he couldn't shout for his mom. He could hardly bring himself to turn on the light... but when he did, it was there! The trunk had come back. He was actually kinda glad to see it coz he could stick all his toys and junk in there, so he got out of bed and went to the trunk and opened it up, and a rotting corpse leapt out and dragged him in!
When the trunk was eventually searched it was completely empty. Years later another family moved in and got rid of the trunk, but the next night when their little girl went to bed it reappeared, and do you know why? Because the thing in the trunk was hungry again, and it was time for another meal...'

Bloody Mary


I'm gonna tell this one the way my sister tells it, because her version kicks ass.

'It was, like, a century ago, before most of these houses were here. There was a woman who lived by the lake, the one past where the school is, and she lived there alone with her little daughter. The kid ended up drowning in the lake and this woman, Mary, she couldn’t cope with the grief. Eventually it drove her nuts, properly insane. People stopped going anywhere near the place. She could be heard screaming and wailing at all hours of the day, and would be seen beating herself with stones. The madness made Mary blame herself for her daughter’s death. Then the townsfolk’s children started going missing, but only the girls. It didn’t take long for the blame to land on Mary. The mob went out to her home, not to challenge her with their accusations, but to exact their revenge. They had already decided she was guilty.
Another girl disappeared after Mary was dead. She was spotted being carried away in the arms of a man headed for the lake. He was a labourer who’d moved into the area a few months earlier, and he admitted responsibility for all the disappearances. Mary’s daughter was his first victim.
And that’s what makes for a restless spirit. She waits for any opportunity to take her revenge on this town for what they did to her. It’s said that she can be summoned by chanting in the mirror…
You have to say Bloody Mary, Bloody Mary, who killed your daughter Bloody Mary? They say she doesn’t just appear, though. They say she tries to smash her way through.'

Skinned Tom


This one is awesome.

'Every town has a lover's lane, one of those places where guys and chicks drive to and then sit there with soppy-ass music playing while they get it on, wasting their time. There's one town, though, where you should totally avoid the lover's lane, and I'll tell you why. Tom took this married chick there every friday night, been doing it for months. This one night they were there, kissing and whatever, when the car door was pulled open, and the chick's husband was right there and he had a knife and he was properly angry! He stabbed his wife, then dragged Tom out of the car, and said to Tom 'I told you before, didn't I? I told you if I caught you again I'd skin you alive!'
The married chick didn't die, and while she was in hospital she told the police what had gone down. As it turns out, the husband handed himself over to the police, owning up to his crimes. But Tom wasn't found. They searched and searched, but the only thing they found was a few splashes of blood near the car.
People started going missing after that. Couples would go up to lover's lane and never return. Their car would be found abandoned, and covered in bloody hand-prints. There's only ever been one survivor of these attacks, and she wound up in the loony bin, but before she got locked up she told a doctor what she saw. It was a bloody skeleton, and it was holding a knife, and it told her it needed her skin because it didn't have any of it's own.
Nobody goes up there anymore.'

Massive thanks to my man Jack for all the entertainment. We might have to invite him back again before the big night itself, Halloween...
If you liked Jack's tall tales, you might just get a kick out of the horror story he finds himself a part of. Macadamian Pliers




Laters.

Monday, 23 February 2015

A Book Left Behind

I have abandoned writing 'A Graveyard Visible'. It's the first time I've turned away from a novel in about ten years.

And I'm okay with it.

In January I started writing a sequel to a comedy about a young mad scientist (a book only our Erin has read so far, but by jingo did it make her laugh), and it's flying along, over a third done already. A Graveyard Visible might come back to life (ha ha) after this, it might not.

I'm okay with that too.

Now bear with me for a moment here: this will all come together very soon. Our Lucy came up with an answer to the question of how she always had room for ice cream. Her food goes into separate compartments, so when she says she's full at dinner time, what she means is that the 'main' compartment is full, and it's time to move on to the dessert compartment. (It gets weirder - each compartment is manned by a full staff of little people who make sure each food is delivered to the correct section - by the way, you never want to be demoted to the bowels.)

Let's replace the stomach with my imagination. It used to have lots of compartments, lots of rooms with different stories and ideas in each. A Graveyard Visible had overflowed. It had blocked up all my compartments. At the start of writing (and this is usual for me) I had a big room set aside for AGV, some space for knocking around new ideas, a sunny area where I could forget about writing new material and do some promo work for Macadamian Pliers (just published with Black Rose Writing). Imagination was a lively factory with plenty of inhabitants. But as the Graveyard grew in the book and the intensity of its issues increased, so it spilled out of its holding pen, and eventually everything else moved out. And AGV kept on pushing at the walls.

It was making me unhappy. So I flushed it out. (I hesitate to use the phrase 'novel enema' because that sounds a tad unpleasant - so I won't even mention it.) And I had all these rooms, all these compartments standing empty, with workers in desperate for something to do. The ideas flooded in. I was writing again. And I was happy about it again.

But this all got me thinking about abandoned novels.



I've been reading Stephen King's The Plant. Not sure if it counts as an abandoned novel or not, but it's certainly an unfinished story, and might never be finished. It's great fun, and I got to wondering about what else might be out there.

I came across this fascinating article from The New York Times a few years ago. It's fascinating to read about Michael Chabon's difficulties writing 'Fortune City' - and makes me feel a hell of a lot better that five and a half years went into this novel before he turned his back on it. AGV took up six months. I'm certainly not comparing the quality of my work to his - but I think another five years (even off and on) with AGV would be the end of the writer in me.

http://www.nytimes.com/2011/03/06/books/review/Kois-t.html?pagewanted=all&_r=0

Look here as well to read about today's superstar writer John Green and the troubles he's had with abandoned novels : http://fishingboatproceeds.tumblr.com/post/7193828359/abandoned-books-2-the-desert-island-one

One more link to keep you busy: https://litreactor.com/columns/12-unpublished-novels-we-wish-we-could-read A never-to-be-seen book from Philip K Dick? Painful. But that one's because he died before finishing. So I guess he can be forgiven.

All of this has been fascinating to read, but what have I got from it all? This: sometimes we can put too much into something and forget why we were doing it in the first place. It should be done for the love of it, because from love we get joy, fun, security, happiness, and all that the soul needs. I'm now writing what I want to, and planning what I want next, and I've been able to enjoy a week's holiday with my beautiful family because I have all that's important, and I can see that I have it: joy, fun, security, happiness, love.

That might be a grand ending to this piece, but hey, I'm okay with that.

The gates have closed on the Graveyard. I think I've still got the keys. Somewhere...


Laters

Monday, 3 November 2014

Oh God, this BOOK!

Oh God, this BOOK!
What am I going to do? What am I going to do?
I don't understand what's happening, I really don't. This can't be happening.

Things couldn't be going better for my career as a writer. For a start, I now actually have a career as a writer. A publishing contract. 17 years down the line. Not with a vanity publisher either. No money going from me to them. They're publishing it, making an actual hold-in-your-hands book. What better validation can there be than other people wanting to take a chance on your novel? Surely this means that I can actually write, so I can take confidence in that. Yes. Of course I can.

So why is A Graveyard Visible dying on me?

The story must be in here somewhere.

The irony! That a novel about so many coffins should bite the dust! It's chugged and chugged and chugged, and now it has ground to a complete halt.

I know. I'm not the first this has happened to. I absolutely won't be the last. Doesn't make the situation any easier to handle though, does it? Some kindly soul pats you on the shoulder and says, 'Never mind, just move onto the next thing, eh?' It's at that point one looks at the kindly soul and screams 'I've written 37,000 bleeping words and you think I can just move on?' and then one rips the individual keys off the keyboard and bashes each one into their forehead and proceeds to type 'D I E I D I O T' over and over and over again.

If that sounds like an extreme over-reaction, then you are not an author and do not belong here. Please, move along. Go find some kitten pictures to stare at.





He's doing a better job than me.


Sorry. That was mean of me. It's just that this... situation makes one a bit tense. I'm sure you understand. If you don't? Then you are not an author and you don't belong here!

Sorry. Did it again, didn't I?

Here's where I got to in my stupid bloody novel. Caleb and Misha have just come out of a fairly spectacular showdown with a kid so bad you'll want to punch his head in. There has, in fact, been plenty going on, with certain events changing the relationship between the two leads, and the story now shifts gear. It is time for Caleb and Misha to talk. She's got something very important to say, something that will alter one of Caleb's long-held beliefs (the death of his mother always looms large, and it's been a major factor in forming his world-view). They climb to the top of the fort in the playground, lie on the roof in fine rain, stare up at the clouds at her instruction...

And nothing. She's got something to say. I know she does. It's important. It drives Caleb to make his next decisions. But I can't get her to say it, whatever it is. When my dumb, stupid writery instincts took me down this cul-de-sac they advised me that this was most definitely the way to go. Everything had been fine so far, hadn't it? It wasn't fine. Misha mumbled a little bit, pointed at the fat grey clouds above like she had something grand to say, and then it all came to an end. What's worse, for some reason I can't find my way back to the road that brought me here. It's become a sealed circle.

I had a novel die at approximately the same point about eight years ago. Shanty for the Soulless it was called, a pirate story taken off the high seas. The ship, the parrot, the captain's way of life was chopped out from under him in one single swipe, leaving him floundering to find his way in a harbour town full of people who remembered him from his last colourful visit. Captain Silus de Sansa was a great character, I had so much fun with him, and yet a powerful horror dawned on me as I hit 35,000 words. After a dramatic opening, nothing had happened. Plenty of talking in different locations, plenty of meetings with figures from Silus's past and reminiscing about events that occurred before the start of the novel.

It was dead out of the water.

What really killed it was the pull of another story. I let the other story take me over, promising myself I'd go back to 'Shanty' in six months and give it another go. I never did, never will. I think it's happening again here. With Mac Pliers landing a contract, I very suddenly feel a strong urge to focus all my attention on him. Maybe I'll come back to 'A Graveyard Visible' in six months.

Except I won't. If I drop it, I'll never go back. I love this story. I do. No. I don't. I hate it. I hate it!

The gates are closing...

So what on earth (or under it) do I do?

Laters. Maybe.